University of Georgia Press’s Erin Kirk New talks briefly about her process of designing book covers, including a look at the cover of After Montaigne, about which she says, “For the cover of AFTER MONTAIGNE: CONTEMPORARY ESSAYISTS COVER THE ESSAYS, editors David Lazar and Patrick Madden suggested the idea of a ‘greatest hits’ album and […]
Tusculum College, where Desirae Matherly teaches, has posted a brief article about her participation in After Montaigne.
PHILLIP LOPATE is the author of five essay collections (Bachelorhood, Against Joie de Vivre, Portrait of My Body, Portrait Inside My Head, To Show and To Tell), the editor of the anthology The Art of the Personal Essay, and the director of graduate nonfiction at Columbia University. He has also written fiction (The Rug Merchant, Two Marriages) and poetry (At the End of the Day).
MAGGIE NELSON is the author of five books of nonfiction, The Argonauts (Graywolf, 2015), from which her piece here is excerpted; The Art of Cruelty: A Reckoning (Norton, 2011); Bluets (Wave Books, 2009); Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007); and The Red Parts (Free Press, 2007), as well as four books of poetry, Something Bright, Then Holes (Soft Skull, 2007), Jane: A Murder (Soft Skull, 2005), The Latest Winter (Hanging Loose, 2003), and Shiner (Hanging Loose, 2001). Since 2005 she has been a member of the faculty of the School of Critical Studies at CalArts in Valencia, California. She lives in Los Angeles.
ELENA PASSARELLO is an actor, a writer, and the first female winner of the Stella! Shout-Out screaming contest in New Orleans. Her book Let Me Clear My Throat, a collection of essays on the voice in pop culture, won the gold medal for creative nonfiction at the 2013 Independent Publisher Book Awards. Her essays have appeared in the Oxford American, Slate, Iowa Review, Creative Nonfiction, the Normal School, and the music writing anthology Pop When the World Falls Apart. She teaches creative writing at Oregon State University.
PATRICK MADDEN’s first book, Quotidiana (University of Nebraska Press, 2010), won an Independent Publisher Book of the Year award, and his essays have been published widely in journals and anthologies including The Best American Spiritual Writing and The Best Creative Nonfiction. Nebraska will publish his second book, Sublime Physick, in 2015. A two-time Fulbright Fellow to Uruguay, he teaches at Brigham Young University and Vermont College of Fine Arts and curates the online anthology of classical essays at quotidiana.org.
MARCIA ALDRICH is the author of the free memoir Girl Rearing, published by W. W. Norton and part of the Barnes and Noble Discover New Writers Series. She has been the editor of Fourth Genre: Explorations in Nonfiction. In 2010 she was the recipient of the Distinguished Professor of the Year Award for the State of Michigan. Companion to an Untold Story won the AWP Award in Creative Nonfiction. She is at work on Haze, a narrative of marriage and divorce during her college years.
CHRIS ARTHUR is author of five essay collections, most recently On the Shoreline of Knowledge (Iowa/Sightline, 2012). His work has appeared in a range of journals, including the American Scholar, Hotel Amerika, Irish Pages, North American Review, Orion, Southern Humanities Review, and Threepenny Review. A member of Irish pen, he has been the recipient of a number of awards, including the Akegarasu Haya International Essay Prize and the Theodore Christian Hoepfner Award. His work has been included in The Best American Essays (and frequently mentioned in the Notable Essays lists of this annual series). He has recently become a Fellow in the Royal Literary Fund’s Fellowships scheme and advises the Open College of the Arts on their creative writing degree course. For further information see www.chrisarthur.org.
AMY LEE SCOTT received an mfa from the University of Iowa’s Nonfiction Writing Program. Her essays have appeared in various literary magazines, as well as on the Notable lists for The Best American Essays 2009 and 2013, and The Best American Travel Writing 2013. She lives in Dearborn, Michigan, where she is working on a collection of essays about loss, memory, and adoption. Her writing can be found at amyleescott.com.
JERALD WALKER is the author of Street Shadows: A Memoir of Race, Rebellion, and Redemption, recipient of the 2011 pen New England/L. L. Winship Award for Nonfiction. His essays have appeared in numerous periodicals and anthologies, including four times in The Best American Essays, and his memoir about growing up in a doomsday cult will be published in 2015. Walker is an associate professor of creative writing at Emerson College.
ROBERT ATWAN is the series editor of The Best American Essays, which he founded in 1985. He has edited numerous anthologies and written on a wide variety of subjects that include the interpretation of dreams in ancient literature, photography, Shakespeare, literary nonfiction, and the cultural history of American advertising. His essays, criticism, humor, reviews, and poetry have appeared in many periodicals, including the Atlantic Monthly, Denver Quarterly, Image, Iowa Review, Kenyon Review, Creative Nonfiction, River Teeth, and New York Times.
SHANNON LAKANEN teaches nonfiction writing at Otterbein University. Her writing has been published in Tusculum Review, Fourth Genre, North Dakota Quarterly, Indiana Review, and Quarter After Eight, among other publications. She is currently writing a collection of essays evolving out of her travels through Eastern Europe and Southeast Asia.
JUDITH ORTIZ COFER is the author of If I Could Fly (2011), a novel; the children’s books Animal Jamboree: Latino Folktales (2012), The Poet Upstairs (2012), and ¡A Bailar! (2011); Call Me Maria (2006), a young adult novel; A Love Story Beginning in Spanish: Poems (2005); The Meaning of Consuelo (2003), a novel; Woman in Front of the Sun: On Becoming a Writer (2000), a collection of essays; An Island Like You: Stories of the Barrio (1995), a collection of short stories; The Line of the Sun (1989), a novel; Silent Dancing (1990), a collection of essays and poetry; two books of poetry, Terms of Survival (1987) and Reaching for the Mainland (1987); and The Latin Deli: Prose and Poetry (1993). The Cruel Country, a cultural memoir, is forthcoming from the University of Georgia Press in 2015. In 2010 Judith Ortiz Cofer was inducted into the Georgia Writers Hall of Fame. She is the Regents’ and Franklin Professor of English and Creative Writing, Emerita, at the University of Georgia. For further information see judithortizcofer.english.uga.edu.
JOSÉ ORDUÑA is a recent graduate of the University of Iowa’s Nonfiction Writing Program. He was born in Córdoba, Veracruz, and immigrated to Chicago with his mother at the age of one and a half. When he was in fourth grade, he and his parents traveled by bus from their home in Chicago to Ciudad Juárez in order to file for permanent residency under section 245(i) of the Immigration and Nationality Act. In December of 2010, while in graduate school, he applied for naturalization, and he was sworn in as a United States citizen the following year. He currently lives in Iowa City, where he is at work on his forthcoming book from Beacon Press, The Weight of Shadows: A Memoir of Immigration and Displacement.
DESIRAE MATHERLY teaches writing at Tusculum College and serves as nonfiction editor for the Tusculum Review. Her most recent essays appear in Hotel Amerika, Descant, and Red Holler: An Anthology of Contemporary Appalachian Literature. Four of her essays have made the Notable list in The Best American Essays, and one essay was anthologized in The Best Creative Nonfiction. Desirae earned a PhD in creative nonfiction from Ohio University in 2004 and was a Harper Fellow at the University of Chicago.
BARRIE JEAN BORICH is the author of Body Geographic, published in the American Lives Series of the University of Nebraska Press and winner of a Lambda Literary Award in Memoir, an IPPY Gold Medal in Essay/Creative Nonfiction, and Foreword Review’s 2013 IndieFab Bronze Award for Essays. Her previous book, My Lesbian Husband, won the American Library Association Stonewall Book Award, and her work has been named Notable in The Best American Essays and The Best American Nonrequired Reading. She is a faculty member of the English Department and the ma in Writing & Publishing program at Chicago’s DePaul University, where she edits Slag Glass City, a creative nonfiction and new media journal focused on sustainability, identity, and art in urban environments. She teaches courses in creative nonfiction writing, literary journals, and the future of the book.
ROBIN HEMLEY directs the Writing Program at Yale-nus College in Singapore and is the author of eleven books of nonfiction and fiction and the winner of many awards including a 2008 Guggenheim Fellowship, as well as three Pushcart Prizes in both fiction and nonfiction, an Independent Press Book of the Year Award, the American Library Association’s Editor’s Choice Award, and the Washington State Book Award. He is a graduate of the Iowa Writers’ Workshop and directed the Nonfiction Writing Program at the University of Iowa from 2004 to 2013. His memoir NOLA: A Memoir of Faith, Art, and Madness was reissued by the University of Iowa Press in 2013. He is the founder and organizer of NonfictioNow, a biennial conference that will convene next at Northern Arizona University in October of 2015.
KRISTEN RADTKE’s first book, a graphic memoir, is forthcoming from Pantheon Books. She is the marketing and publicity director for Sarabande Books and the film and video editor of TriQuarterly magazine. She has an MFA from the University of Iowa’s Nonfiction Writing Program.
STEVEN CHURCH is the author of The Guinness Book of Me: A Memoir of Record, Theoretical Killings: Essays and Accidents, and The Day after the Day After: My Atomic Angst. His fourth book, Ultrasonic: Soundings, a collection of essays, will be released in 2015 by Lavender Ink. His essays have been published recently in River Teeth, Brevity, Passages North, Creative Nonfiction, Fourth Genre, Agni, Diagram, Salon.com, and the Rumpus. He is a founding editor of the literary magazine Normal School.
VIVIAN GORNICK is an American critic, essayist, and memoirist. For many years she wrote for the Village Voice. Among her books are Fierce Attachments, Approaching Eye Level, The Situation and the Story, The End of the Novel of Love, and The Men in My Life (National Book Critics Circle Award finalist for criticism).
WAYNE KOESTENBAUM is a poet, critic, and artist. He has published nine books of nonfiction, on such subjects as hotels, Harpo Marx, humiliation, Jackie Onassis, opera, and Andy Warhol. His latest book of prose is My 1980s & Other Essays (Farrar, Straus & Giroux, 2013). His six books of poetry include Blue Stranger with Mosaic Background (Turtle Point, 2012) and Best-Selling Jewish Porn Films (Turtle Point, 2006). His first solo exhibition of paintings was at White Columns gallery in New York in 2012.
MARY CAPPELLO’s four books of literary nonfiction include Awkward: A Detour (a Los Angeles Times best seller) and, following Maya Deren, a ritual in transfigured time titled Called Back. Her most recent book, Swallow, emerges from the Chevalier Jackson Foreign Body Collection in Philadelphia’s Mütter Museum. A recipient of the Bechtel Prize for Educating the Imagination, the Dorothea Lange–Paul Taylor Prize, and a Guggenheim Fellowship, Cappello is a former Fulbright lecturer at the Gorky Literary Institute (Moscow) and currently professor of English and creative writing at the University of Rhode Island. She is currently writing a book-length essay on mood.
LIA PURPURA is the author of seven collections of essays, poems, and translations, most recently Rough Likeness (essays) and King Baby (poems). Her honors include a Guggenheim Foundation Fellowship, National Book Critics Circle Award finalist, National Endowment for the Arts and Fulbright Fellowships, three Pushcart Prizes, the Associated Writing Programs Award in Nonfiction, and the Beatrice Hawley and Ohio State University Press awards in poetry. Recent work appears in The Best American Essays and in Agni, Field, Georgia Review, Orion, New Republic, New Yorker, Paris Review, and elsewhere. She is writer in residence at the University of Maryland, Baltimore County.
BRIAN DOYLE is the editor of Portland Magazine at the University of Portland, in Oregon. He is the author of many books of essays and fiction, most recently the “whopping sea novel” The Plover (St. Martin’s Press).
BRET LOTT is the bestselling author of fourteen books, most recently the nonfiction collection Letters and Life: On Being a Writer, On Being a Christian (Crossway, 2013) and the novel Dead Low Tide (Random House, 2012). He has served as Fulbright Senior American Scholar and writer in residence at Bar-Ilan University in Tel Aviv, spoken on Flannery O’Connor at the White House, and been a member of the National Council on the Arts from 2006 to 2012. He teaches at the College of Charleston and lives in Hanahan, South Carolina.
NICOLE WALKER’s Quench Your Thirst with Salt won the Zone 3 Award for Creative Nonfiction and was released in June 2013. She is the author of a collection of poems, This Noisy Egg (Barrow Street, 2010), and has edited, with Margot Singer, Bending Genre: Essays on Creative Nonfiction (Bloomsbury, 2013) and, with Rebecca Campbell, 7 Artists, 7 Rings—An Artist’s Game of Telephone for the Huffington Post. She is nonfiction editor at Diagram and associate professor at Northern Arizona University in Flagstaff.
DANIELLE CADENA DEULEN is an assistant professor at the University of Cincinnati. Her poetry collection Lovely Asunder (University of Arkansas Press) won the Miller Williams Arkansas Poetry Prize, the Utah Book Award, and an Ohio Arts Council Award. Her memoir The Riots (University of Georgia Press) won the AWP Prize in Creative Nonfiction and the GLCA New Writers Award. Her poetry chapbook American Libretto will be published by Sow’s Ear Press in 2015. Her second poetry collection, Our Emotions Get Carried Away Beyond Us, won the Barrow Street Press Book Contest award and will also appear in 2015. She was a 2007 Jay C. and Ruth Halls Poetry Fellow at the University of Wisconsin–Madison.
LINA M. FERREIRA C.-V. graduated with both creative nonfiction writing and literary translation mfas from the University of Iowa. Her fiction, nonfiction, and translation work has been featured in journals including the Bellingham Review, Drunken Boat, and Rio Grande Review. Her 2015 book Don’t Come Back is published by Sarabande Books. She was the recipient of Best of the Net and Iron Horse Review’s Discovered Voices awards and has been nominated for two Pushcart Prizes. She currently lives in China; no one is quite sure why.
E. J. LEVY’s debut story collection, Love, in Theory, won the 2012 Flannery O’Connor Award, a 2013 ForeWord Book of the Year Award, and the 2014 Great Lakes Colleges Association New Writers Award, and is being released in French by Éditions Payot & Rivages. Her essays and stories have appeared in The Best American Essays, the New York Times, and the Paris Review and have received a Pushcart Prize. Her anthology Tasting Life Twice: Literary Lesbian Fiction by New American Writers won a Lambda Literary Award.
DAVID LAZAR’s most recent book is Occasional Desire: Essays (University of Nebraska Press). His other books include The Body of Brooklyn and Truth in Nonfiction (both University of Iowa Press), Michael Powell: Interviews and Conversations with M.F.K. Fisher (both University Press of Mississippi), and Powder Town (Pecan Grove). He has been awarded an Ohio Individual Artist Grant and a Guggenheim Fellowship in nonfiction. He is the founding editor of Hotel Amerika and professor of creative writing at Columbia College Chicago.
There is no desire more natural than that of knowledge. We try all ways that can lead us to it; where reason is wanting, we therein employ experience, “Per varios usus artem experientia fecit, Exemplo monstrante viam,” [“By various trials experience created art, example shewing the way.”—Manilius, i. 59.] which is a means much more […]
Almost all the opinions we have are taken on authority and trust; and ’tis not amiss; we could not choose worse than by ourselves in so weak an age. That image of Socrates’ discourses, which his friends have transmitted to us, we approve upon no other account than a reverence to public sanction: ’tis not […]
‘Tis now two or three years ago that they made the year ten days shorter in France.—[By the adoption of the Gregorian calendar.]—How many changes may we expect should follow this reformation! it was really moving heaven and earth at once. Yet nothing for all that stirs from its place my neighbours still find their […]
Few things, in comparison of what commonly affect other men, move, or, to say better, possess me: for ’tis but reason they should concern a man, provided they do not possess him. I am very solicitous, both by study and argument, to enlarge this privilege of insensibility, which is in me naturally raised to a […]
There is, peradventure, no more manifest vanity than to write of it so vainly. That which divinity has so divinely expressed to us—[“Vanity of vanities: all is vanity.”—Eccles., i. 2.]—ought to be carefully and continually meditated by men of understanding. Who does not see that I have taken a road, in which, incessantly and without […]
‘Tis a custom of our justice to condemn some for a warning to others. To condemn them for having done amiss, were folly, as Plato says, [Diogenes Laertius, however, in his Life of Plato, iii. 181, says that Plato’s offence was the speaking too freely to the tyrant.] for what is done can never be […]
Since we cannot attain unto it, let us revenge our selves by railing at it; and yet it is not absolutely railing against anything to proclaim its defects, because they are in all things to be found, how beautiful or how much to be coveted soever. Greatness has, in general, this manifest advantage, that it […]
It is very easy to verify, that great authors, when they write of causes, not only make use of those they think to be the true causes, but also of those they believe not to be so, provided they have in them some beauty and invention: they speak true and usefully enough, if it be […]
By how much profitable thoughts are more full and solid, by so much are they also more cumbersome and heavy: vice, death, poverty, diseases, are grave and grievous subjects. A man should have his soul instructed in the means to sustain and to contend with evils, and in the rules of living and believing well: […]
I was once employed in consoling a lady truly afflicted. Most of their mournings are artificial and ceremonious: “Uberibus semper lacrymis, semperque paratis, In statione subatque expectantibus illam, Quo jubeat manare modo.” [“A woman has ever a fountain of tears ready to gush up whenever she requires to make use of them.”—Juvenal, vi. 272.] A […]
We must not rivet ourselves so fast to our humours and complexions: our chiefest sufficiency is to know how to apply ourselves to divers employments. ‘Tis to be, but not to live, to keep a man’s self tied and bound by necessity to one only course; those are the bravest souls that have in them […]
Others form man; I only report him: and represent a particular one, ill fashioned enough, and whom, if I had to model him anew, I should certainly make something else than what he is but that’s past recalling. Now, though the features of my picture alter and change, ’tis not, however, unlike: the world eternally […]
No man is free from speaking foolish things; but the worst on’t is, when a man labours to play the fool: “Nae iste magno conatu magnas nugas dixerit.” [“Truly he, with a great effort will shortly say a mighty trifle.” —-Terence, Heaut., act iii., s. 4.] This does not concern me; mine slip from me […]
This faggoting up of so many divers pieces is so done that I never set pen to paper but when I have too much idle time, and never anywhere but at home; so that it is compiled after divers interruptions and intervals, occasions keeping me sometimes many months elsewhere. As to the rest, I never […]
If I should be asked my choice among all the men who have come to my knowledge, I should make answer, that methinks I find three more excellent than all the rest. One of them Homer: not that Aristotle and Varro, for example, were not, peradventure, as learned as he; nor that possibly Virgil was […]
They are not by the dozen, as every one knows, and especially in the duties of marriage, for that is a bargain full of so many nice circumstances that ’tis hard a woman’s will should long endure such a restraint; men, though their condition be something better under that tie, have yet enough to do. […]
‘Tis related of many great leaders that they have had certain books in particular esteem, as Alexander the Great, Homer; Scipio Africanus, Xenophon; Marcus Brutus, Polybius; Charles V., Philip’de Comines; and ’tis said that, in our times, Machiavelli is elsewhere still in repute; but the late Marshal Strozzi, who had taken Caesar for his man, […]
Philosophy thinks she has not ill employed her talent when she has given the sovereignty of the soul and the authority of restraining our appetites to reason. Amongst which, they who judge that there is none more violent than those which spring from love, have this opinion also, that they seize both body and soul, […]
The familiarity I have with these two authors, and the assistance they have lent to my age and to my book, wholly compiled of what I have borrowed from them, oblige me to stand up for their honour. As to Seneca, amongst a million of little pamphlets that those of the so-called reformed religion disperse […]
Plutarch is admirable throughout, but especially where he judges of human actions. What fine things does he say in the comparison of Lycurgus and Numa upon the subject of our great folly in abandoning children to the care and government of their fathers? The most of our civil governments, as Aristotle says, “leave, after the […]